『バットマンフォーエヴァー』感想 - 映画の後には紅茶とお菓子を

監督：ジョエル・シュマッカー
脚本：リー・バチェラー & ジャネット・スコット・バチェラー and アキヴァ・ゴールズマン
原案：リー・バチェラー & ジャネット・スコット・バチェラー
原作(キャラクター創造)：ボブ・ケイン
製作：ティム・バートン、ピーター・マクレガー＝スコット
製作総指揮：Benjamin Melniker, Michael E. Uslan
共同プロデューサー：Kevin J. Messick (second unit)
アソシエイトプロデューサー：Mitchell E. Dauterive
撮影監督：スティーヴン・ゴールドブラット
編集：デニス・ヴァークラー、マーク・スティーヴンス
音楽：エリオット・ゴールデンサール
製作会社：ワーナー・ブラザース・ピクチャーズ、PolyGram Filmed Entertainment
配給：ワーナー・ブラザース

キャスティングディレクター：Mali Finn

プロダクションデザイン：Barbara Ling
美術監督：Christopher Burian-Mohr, Joseph P. Lucky
セット装飾：Elise 'Cricket' Rowland, Elaine O'Donnell (New York unit) (uncredited)
衣装デザイン：Ingrid Ferrin, Bob Ringwood

key hair stylist: Yolanda Toussieng
key makeup artist: Ve Neill
special makeup designer and creator: リック・ベイカー(Rick Baker)

第二班監督：David Hogan

production sound mixers: Petur Hliddal, Douglas Axtell (second unit)
supervising sound editor: John Leveque, Bruce Stambler
sound designers: Lance Brown, Frank Kniest, Roland N. Thai

underwater effects supervisor: Gregory L. McMurry
vehicle production supervisors: Allen Pike, Charley Zurian

視覚効果スーパーバイザー：Andrew Adamson, Richard Chuang for Pacific Data Images, Nick Davis as post production visual effects supervisor, Eric Durst, ジョン・ダイクストラ(John Dykstra), Boyd Shermis, David Stump, Stephen Brand (uncredited), Bill Kent for MetroLight Studios (uncredited), Mark Kolpack (previz comps) (uncredited)
visual effects production supervisor: JoAnn Knox
visual effects associate production supervisor: Jennifer C. Bell
supervisors: Grant McCune for Grant McCune Design, John Scheele for Warner Bros. Imaging Technology, David Sosalla for Pacific Title Digital

視覚効果プロデューサー：C. Marie Davis for Composite Image Systems, Les Hunter for Pacific Data Images, John Follmer (uncredited)
producers: Lisa Kelly for Pacific Title Digital, Kurt Williams for The Chandler Group
digital visual effects producer: Andrea D'Amico for POP film (uncredited)
visual effects executive producers: Terry Clotiaux for The Chandler Group, Mark Franco for The Post Group, Joe L. Matza for Composite Image Systems, Dobbie Schiff for MetroLight Studios (uncredited)
executive producers: Joe Gareri for Pacific Title Digital, Ellen Somers for Warner Digital Studios (uncredited)

production manager: Amy Harrington for Warner Bros. Imaging Technology

digital effects supervisors: Kathy White for Rhythm & Hues, Alan Barnett for Sight Effects (uncredited), Melissa Davies for Sight Effects (uncredited), Rudy Hassen for Sight Effects (uncredited)
digital effects producers: Teresa Cheng for Rhytm & Hues, Janette Shew (uncredited), Tamara Watts Kent (uncredited)

effects supervisor: Don Baker for The Chandler Group

computer graphics supervisor: Suponwich Juck Somsaman for Rhythm & Hues
CG supervisor: Terrence Masson (uncredited)
computer imaging supervisor: Dawn Guinta for Composite Image Systems
computer graphics city designer: Curtis Augspurger for Warner Bros. Imaging Technology, Lance Hammer for Warner Bros. Imaging Technology

animation supervisor: Raman Hui for Pacific Data Images

visual effects directors of photography: Tim Angulo for The Chandler Group, Les Bernstien, Bruce Logan

visual effects art directors: James Hegedus, Robert Scifo for Warner Bros. Imaging Technology, Tim Donahue for VIFX (uncredited)

model supervisor: John Merritt for Private Gardens
model shop supervisor: Michael Joyce
miniature shoot producer: Lee Berger (uncredited)

digital compositing supervisors: Steve Bowen for Composite Image Systems, Don Lee for Composite Image Systems

lighting supervisor: Jean M. Cunningham for Pacific Data Images

technical supervisors: Philippe Gluckman for Pacific Data Images, Richard Moc for EFilm, Wendy Rogers for Pacific Data Images, Dick Walsh for Pacific Data Images, Jerry Weil for Metrolight Studios
technical directors: Jim Berney for Metrolight (uncredited), Sautai Fred (uncredited)